Alex Checkovich
Allison A. deFreese
Anthony Hamilton
Arabella von Arx
Archive
Bianca Glinskas
Bill Yarrow
By The Editors
Caroline E. Cook
Clark Zlotchew
Clifford Venho
Danial Haghighi
David Capps
DE FINIBUS BONORUM ET MALORUM
Donald Short
Elizabeth Brewster Thomas
Emily Vieweg
Eric Machan Howd
Florina Nastase
Grant Young
Hibah Shabkhez
Hind Berji
Jabberwocky Glossary
Jack Bastock
Jacob Hatch
Jacob Kobina Ayiah Mensah
James Grabill
James Ph. Kotsybar
Joel Savishinsky
John McKernan
Jones Irwin
Katherine Lazarus
Kevin Brown
Kimmo Rosenthal
Lachlan Brooks
Lily O’Keefe
Luis Heard
Luke Buffini
Michael Betancourt
PGP Public Key
R.C. Neighbors
Rabih Salloum
Robert Stone
Runa Bandyopadhyay
Ryan Ruby
S. T. Brant
Spencer Hawkins
Steve Gerson
Submissions
Swapnil Dhruv Bose
Sylvie Robinson
Tingting Hui
Tiphanie Chetara
Tom Whalen
Yannis Livadas
THE DECADENT REVIEW
criticism
A Lurker’s Guide to Breathing Women and Men
by
Alex Checkovich
Criticism and the Age: James Wood’s Essays of Two Decades
by
Kevin Brown
Traces
by
Robert Stone
Melville’s Descent into the Maelstrom
by
Tom Whalen
Author Morsels
by
Bill Yarrow
Criticism, Confusion, and Lies
by
Donald Short
Char(Lotte in Weimar)’s Web
by
Florina Nastase
Increasing Convergence Between Time and Abstraction
by
Jacob Kobina Ayiah Mensah
Two Cardinal Points
by
Hind Berji
Meridian
by
Jacob Hatch
Beethoven: Decomposition
by
Spencer Hawkins
The Idea of Structure in Marvin Bell’s Treetops
by
John Timothy Robinson
TEXTURALITY
by
Bill Yarrow
The Decadent Review
by
The Editors
Ludwig van Beethoven in Sonata Form
by
John Langfeld
EGO, INTELLECTUAL CHAUVINISM, AND THE LATEST ISSUE OF VOGUE MAGAZINE
by
The Editors
Short Note on “Love”, A Poem by Aharon Shabtai
by
The Editors