THE DECADENT REVIEW

Pious Snuff, Lot’s Wife to Burden’s Eclipse

by Benjamin Robinson

After Leonard Cohen’s 1967 song “Suzanne”; Chris Burden’s 1974 performance…

Archives of Autumn

by Bradley J. Fest

Caroline of Clandeboye

Poetry September 17, 2022

Caesar’s Season

Essays September 15, 2022

On lists

Criticism September 12, 2022

Oedipus and the Other Two Sphinxes

by Daniel Barbiero

Criticism

Oedipus and the Other Two Sphinxes

by Daniel Barbiero

The Banker’s Clerk and the Hippopotamus

Donne: Soul, Size, and Scale

by Sarah Butkovic

On Cuteness

Voice: A Postliterary Disintegration in Four Modern Classics

by John Oliver Hodges

Literary Topoi

by Kimmo Rosenthal

The Death of The Critic: Barthes’ Royal Treatment in Pale Fire

by Domenic Cregan

The Vice of Banality

by Donald Short

Eight Remarks on Style and Fashion

The Hidden Dreamscape of Claude Tousignant’s Violence Lucide

by Margaryta Golovchenko

Subjects Hinder Talk

by Caroline Fernelius

A Lurker’s Guide to Breathing Women and Men

by Alex Checkovich

Traces

by Robert Stone

Melville’s Descent into the Maelstrom

Author Morsels

Criticism, Confusion, and Lies

by Donald Short

Char(Lotte in Weimar)’s Web

by Florina Nastase

Increasing Convergence Between Time and Abstraction

by Jacob Kobina Ayiah Mensah

Two Cardinal Points

Meridian

Beethoven: Decomposition

by Spencer Hawkins

The Idea of Structure in Marvin Bell’s Treetops

by John Timothy Robinson

TEXTURALITY

The Decadent Review

by Dimitri Kaufman

Reviews

Essays

Pious Snuff, Lot’s Wife to Burden’s Eclipse

by Benjamin Robinson

Caroline of Clandeboye

On lists

Will and Imagination

If I Am Out of My Mind, It’s All Right with Me: Lines to Someday Write

by Robert McKean

The Metaphysical Dilemma of Lew Welch

by Charles Upton

Shostakovich’s Symphony № 4: The Intention to Disturb Us

by Paul-John Ramos

Plaster Cast, Martini Glass, Potted Orchid: The Life of Kitty Oppenheimer

A Map of Vienna

Meandering Toward a Definition of an Essay

by Paul Graseck

Poe & Alcoholism

by Timothy Resau

Re-reading Keats at Fifty

by Jason K. Friedman

Šalamun’s Shostakovich: Reading the Entrails of Tomaž Šalamun’s “His Leg Was Repatriated”

by Matthew Moore

Remarks on Gibbon’s Remarks on Voltaire

by Peter Wakeman Schranz

Body snatcher, soul catcher, doppelgänger

by H.C. Gildfind

An Abyss Between Them

by Eduardo Frajman

Poetry

Archives of Autumn

by Bradley J. Fest

Caesar’s Season

Baking for a Family Friend’s Baby Shower Weeks After My Miscarriage

CLOWN

by Nathan Whiting

I’m swallowing unbearably dry rain

by Radoslav Rochallyi

Boethius, Holding in His Palm a Pool of Pagan Dawn

Shostakovich

by Norman Minnick

Archives of Summer

by Bradley J. Fest

Aphorisms

by Lachlan Brooks

Bligh’s Pile

by Ian C. Smith

After Chester Higgins’s “Bowery Denizen, 1985”

Not in Matter

by James Harmon Clinton

The Speaker is Listening To “Flower” by Liz Phair on the Occasion of Pruning by the Wrought Iron

by Spencer Silverthorne

Before You (By Which I Mostly Mean I) Die

by Michael Brosnan

Act 1

by Dimitri Kaufman

Bleeding Out The Catch

Nude in a Fun House Mirror

LUFTMENSCHN

The Man Who Fell to Earth in Dayton

The Heart in its Garden

by Askold Skalsky

The Big City

by Peycho Kanev

End!

Reuben

by Craig Cotter

Chef’s Second Chance

Here Comes Saturday…

by David Earl Williams

Reality Reflecting / Reflecting Reality

by Thomas Osatchoff

Ephemera

How a Preposition Means

by Philip Vassallo

ON MY [OR OUR] NIMBLE TOES

by Nathan Whiting

Otto

by James Reidel

Cauchemar

by Sandra Salinas Newton

Two Poems After The Greek Anthology

Tehran Being

by Danial Haghighi

Imposterity

by Mark DeCarteret

Unseen Water Creatures

by Marie-Louise Eyres

Lake Swimming at Night

by Samuel Spencer

Metafiction

Who Killed Gilles Deleuze? (Episode 1)

Not All Priests Are On The Side Of The Good

Olivia

After the Death of God

Borges, Joe Sims, and I

by Clark Zlotchew

Plays

PlaysMay 12, 2020<August 16, 2021

Quarto

I Doubleyew Banton CHARACTER DOUBLEYEW Blind, Braille-literate, Jamaican Londoner. In…

PlaysJanuary 1, 2018<August 15, 2021

CON FORZA, PART I: HAMMERKLAVIER

The following play Hammerklavier – fantasia quasi una biografia, is the…

PlaysJanuary 1, 2017<August 15, 2021

CON FORZA, PART II: OUT OF THE SKILLET

The following play Out of the Skillet – preantepenultimate palimpsest,…

PlaysJanuary 5, 2019<August 15, 2021

CON FORZA, PART IV: THE PROPER TASK

The following play The Proper Task – W.I.P., is the…

PlaysFebruary 3, 2018<August 15, 2021

CON FORZA, PART III: EVENINGS ILLUMINED BY THE ARDOUR OF COAL

The following play Evenings Illuminated by the Ardour of Coal…