May 17, 2023<May 23, 2023 Poiētic Truth (Alētheia) in Archaic Greece: Comparative Anthropology / Heideggerian Intimations by James M. Magrini
April 11, 2023<April 14, 2023 A Tangled Web of Relationships – 24 Preludes and Fugues, Op. 87, by Dmitri Shostakovich by Nancy Chapple
December 18, 2022<December 20, 2022 Jack Shit: Williams’ Wheelbarrow and Meaning in Poetry by C.B. Wamble
November 13, 2022<November 19, 2022 Entrance Stage Left: Introducing Characters to a Narrative by Robert McKean
October 26, 2022<April 14, 2023 Sisters Around the Cauldron – Mary Barnard and Her Sappho by Casey Bush
July 8, 2022<July 16, 2022 If I Am Out of My Mind, It’s All Right with Me: Lines to Someday Write by Robert McKean
March 30, 2022<April 6, 2022 Shostakovich’s Symphony № 4: The Intention to Disturb Us by Paul-John Ramos
March 30, 2022<July 25, 2023 Plaster Cast, Martini Glass, Potted Orchid: The Life of Kitty Oppenheimer by Kat Meads
December 4, 2021<January 2, 2022 Šalamun’s Shostakovich: Reading the Entrails of Tomaž Šalamun’s “His Leg Was Repatriated” by Matthew Moore
April 29, 2020<May 9, 2020 The Persian Spirit, Iran’s New Poetry, and Hossein Amanat’s Architecture by Danial Haghighi
April 9, 2020<August 16, 2021 Reading Blanchot’s “Reading” as Reading Blanchot’s “Reading” by Kimmo Rosenthal
March 13, 2020<March 19, 2020 To Punch or Not to Punch a Roman emperor: That is the Question by David Capps