PoetryFebruary 11, 2022<February 12, 2022 Upon living in the former home of Gerald Stern by Colleen Kennedy
PoetryFebruary 1, 2022<February 2, 2022 SPECULATIONS ON THE MAKING OF ANSELM KIEFER’S THE BREAKING OF THE VESSELS by Ahreeda Ryter
MetafictionJanuary 22, 2022<January 24, 2022 Not All Priests Are On The Side Of The Good by Jones Irwin
PoetryJanuary 21, 2022<January 22, 2022 Dialogue from: “Open a Window (…She Urinates)” by David Earl Williams
ReviewsJanuary 1, 2022<January 14, 2022 Can we, should we, read The N***** of The Narcissus? by Arabella von Arx
CriticismDecember 20, 2021<January 4, 2022 Voice: A Postliterary Disintegration in Four Modern Classics by John Oliver Hodges
ReviewsDecember 8, 2021<December 23, 2021 Sti, Bro; Sti, Sis: a Re-View of Katie Mack’s The End of Everything by Alex Checkovich
EssaysDecember 4, 2021<January 2, 2022 Šalamun’s Shostakovich: Reading the Entrails of Tomaž Šalamun’s “His Leg Was Repatriated” by Matthew Moore
PoetryNovember 19, 2021<November 20, 2021 Selections from Arguing with the Dead Poet by Barbara Schweitzer
PoetryOctober 15, 2021<January 30, 2022 The ship’s Cook gives instructions to the Mariner on how to prepare his Albatross by Marie-Louise Eyres
PoetryOctober 8, 2021<October 8, 2021 Wiping Dust From The Atlas Of Human Anatomy In The Used Bookshop by Mary Elder Jacobsen
EssaysAugust 16, 2021<November 4, 2021 Remarks on Gibbon’s Remarks on Voltaire by Peter Wakeman Schranz
CriticismJune 4, 2021<August 16, 2021 The Death of The Critic: Barthes’ Royal Treatment in Pale Fire by Domenic Cregan
PoetryNovember 5, 2020<December 28, 2020 We Will Plant Songs Where There Were Curses by R.C. Neighbors
CriticismNovember 5, 2020<August 12, 2021 The Hidden Dreamscape of Claude Tousignant’s Violence Lucide by Margaryta Golovchenko
PoetryAugust 25, 2020<August 27, 2020 The Lost Self-Portrait of Rogier van der Weyden by Joel Savishinsky
CriticismJune 26, 2020<November 20, 2020 A Lurker’s Guide to Breathing Women and Men by Alex Checkovich
CriticismMay 4, 2020<June 16, 2021 Increasing Convergence Between Time and Abstraction by Jacob Kobina Ayiah Mensah